Petit Biscuit: For Elevated Days

At the ripe age of seventeen, Petit Biscuit has found the sweet spot. This year, the young French producer is playing his first string of shows at the top venues in the US market, and all of them are sold out. Fortunate for us, Petit's sure to return after just a short season back in France.

His self-titled EP is stacked with energy in the realm of Odesza, and the influence is obvious with his early remix of Memories That You Call. Even softer tracks like Sunset Lover breathe positivity. Take a listen, and let the energy carry you into an elevated week.

 

 

Jonathan Haehn: Swimming Through Sound

As an architect, entrepreneur, and also music producer, it's only natural that Jonathan Haehn brings us music as a place. Throughout his full set for Laut & Luise's Montagssorbet, Haehn sends us through lulling downs and euphoric ups. Even the intro promises beauty in discord with the fragmented voice of a woman, or rather the voice of a fragmented woman.

Haehn builds a musical experience that speaks to the most human, indescribable feeling of contentedness amidst an environment that never ceases to change around us. We all know the feeling of impenetrable satisfaction, like we're floating above everything and anything that's out of our control.

The entire hour and thirty-five minutes pulls us through a multidimensional experience, where sounds live in the foreground and the background. The world in which they live becomes a place in which we swim. Even the occasional vocals speak of elation while distant sounds of water, chatter, and chimes echo upbeat rhythms, constructing a full soundscape. If you close your eyes, you could nearly move your hand through it. 

Haehn dives deep in this track, delivering us free spirit as a sound, inclusive of everything the free spirit lives to defy, by definition. Without discord, how could we exist above it all? 

 

 

DWIG: Lullabies for the Wakeful

There's something to be said about an artist that can create something that's not only a track on their EP but a mood, a vibe, a lifestyle. There are songs, and then there are pulses. DWIG, which is short for Die Wiese Im Garten, is one of the few magic-making producers that's able to alter your surroundings without blatantly interrupting them. 

The track that gently crept its way into my shortlist of feel-good songs is Orange Evening. It's representative of his style, which is relentlessly gentle and effortlessly evocative. Ludwig Völker aka DWIG introduces us to an experience with Orange Evening, gracing us with quiet repetitions and very subtle changes that tease us and leave us wanting more. It's not until two minutes and forty seconds in that an angelic, enigmatic voice floats in, and only briefly. The enchanter ever so softly makes herself known, repeating one obscure line again and again and painting a picture of an orange setting summer sun, sending heat waves into your surroundings whatever they may be.

DWIG has a handful of US tour dates, and for the sake of heightened well-being here's to hoping for more.

Made in Heights

In 2009 hip hop aficionado Sabzi, formerly of Blue Scholars, and singer-songwriter Kelsey Bulkin teamed up to produce the electro-pop project Made in Heights. Like the name implies, the duo’s dynamic artistry goes above and beyond and the effects are nothing less than breathtaking. Any preconceived limitations are shattered as the pair enchants hip hop, electronic, and classical music lovers alike. Angelic vocals overlay delicate beats that ascend into climactic disarray. And their music is infused with cultural references and Japanese inserts, as heard in Murakami.

Their second album, Without My Enemy What Would I Do, which premiered in May, rocks back and forth between spiritedness and quiet dreaminess. Don't miss out on the magic. 




Alison Wonderland: Not to be Ignored

When I first heard "Ignore" off Alison Wonderland's new album Run, it didn't elicit the most positive response. In fact, I nearly turned it off. But through the shrill chaos, something stuck. I listened to it again and this time in a different way. I opened myself to its discord and let it mash together into some kind of relentless symphony. This song makes me want to indulge in nothingness in a club that's dark and dirty. Damp even. And I mean this in the best way possible.

The powerful, and sometimes power-stripping, ability to feel absolutely nothing can simultaneously feel so enlivening. On a personal level, the song brings me back to my experience of living in Berlin, Germany, where the clubs are makeshift, hidden, and minimal, where they've shut down nearly as soon as they've opened, and where a somewhat lost generation struggles to establish its own private world beneath a stagnant city that still struggles with its past. There's a beauty in this when you look deeply.

This song is 3 minutes and 56 seconds worth of gritty, forceful elements driving forward in a way that never really changes, very much like the concept of escaping into the night time and time again. It's an experience, perhaps darker than the Wonderland that we're used to. One that twists and pulls, over and over again, at the depths of our innermost desires. One that rattles the gate that keeps them locked away. Down the rabbit hole, let's go.



Parov Stelar and a Brief History of Electro Swing

Electro Swing is still very much a foreign concept to many, but Parov Stelar has been bringing the thrill of the genre to its proper spotlight for years. Now with his 6th album, The Demon Diaries, Austrian producer Marcus Füreder has grown his unique, adrenaline-inducing sound and has become a true master of his work. His music mixes jazz, house, and breakbeat, blending big band samples driven up against hypnotic electronic waves. Stelar's listeners have no choice but to experience a magnificently visceral limbo between the 1920s and today's electronic dance music infatuation.

But Füreder wasn't the first to incorporate swing into his music. Frankie Knuckles, resident Chicago producer and the "Godfather of House Music," mixed disco classics with hip hop and European synth-disco. And St Germain's multi-platinum album "Tourist" reflected his passion for jazz and blues. Artists have continued to mix sounds of old and new and introduce our musical roots to their multicultural offspring. Check out this easy-flowing track by trip-hop producer Klaus Waldeck, with love from Austria.

In 2005 Parov Stelar expanded his musicianship to include a live band, and together they fill any room with some seriously undeniable energy. If you want an idea of what the live performance is like, you can check out The Parov Stelar Band on their upcoming tour, which takes off in November. And to think, come winter you still won't be able to stop moving.

Kasbo: The Newest Member of the Odesza Brotherhood

Nineteen-year-old Swedish producer Kasbo has received some heavy accolade from Odesza and Porter Robinson, authorities of the current electronic music scene. And he's just landed a string of support gigs on Odesza's ongoing 'In Return' tour. Kasbo's newly released EP 'Umbrella Club' is definitely in line with Odesza's good feels, featuring countervailing high and low pitched vocals and complex, enticing builds. His overall sound falls more into a middle, mellow sweetness in contrast to Odesza's popular dance tracks. The EP doesn't seem to have one blaring stand-alone single but rather shines best in its entirety as a seamlessly mastered compilation of easy listening. In the past, Odesza has done great work in supporting talented novice producers. If the success of Jai Wolf is any indication, Kasbo's got a lucid future ahead with his newly adoptive brotherhood. 

A Girl Walks Home Alone at Night

For all the opportunists out there, A Girl Walks Home Alone at Night is finally available on Netflix. Written and directed by Ana Lily Amirpour, this eerie vampire film stays true to Amirpour's striking dystopian style and has been referred to as the first "Iranian Vampire Western". The film was shot at an American power plant, which in black and white serves beautifully in its depiction of the decrepit Bad City. The setting is timeless, as is Amirpour's unabashed and awe-inspiring artistic exploration. 

The vampire who stalks the streets of Bad City is unlike those that haunt our cinematic past. She feeds off the blood of pimps and freeloaders who debase the female form and consume to points of self-destruction, and she instills fear in those who have yet to fall in step with the infectious ways of the city. At home, she listens to some great tunes. The film blends Iranian and Western elements with music standing proudly at the forefront. The soundtrack features a seamless mix of artists from Iran, America, and Europe, and the music doesn't just complement the story but drives the pulse of its bloody heart. 

In the scene below, Arash, a drug dealer uninspired by his lackluster life, finds himself within the confines of the vampire's bedroom. Unlike the rest of Bad City, her personal space is vibrant with music posters that resemble the likes of Madonna and Michael Jackson. She puts on a record and "Death" by White Lies fills the static air, propelling uncertainty onwards. Arash is vulnerable. He is intoxicated, lost, and unequivocally infatuated with a vampire. The tension builds as this dreamy new wave song reaches heights of euphoria and pulls the unlikely pair closer. You can nearly hear the hunger in their breath. And the whole time, your anticipation drips with fear. Is she hungry as a woman or as a vampire? 

Full Tracklisting:
01. Charkhesh e Pooch by Kiosk
02. Gelaye by Radio Tehran
03. Sarcophagus by Federale
04. Dancing girls by Farah
05. Bashy by Free Electric Band
06. Black Sunday by Federale
07. Hishe Ayn Ore (Remember That Day?)  by Bei Ru
08. Bread Thief  by Bei Ru
09. Death (album version) by White Lies
10. Sisyphus by Federale
11. Khabnama by Radio Tehran
12. Thirsty's Return  by Federale
13. Cheshme Man by Dariush
14. Tatilat  by Radio Tehran
15. Yarom Bia  by Kiosk
16. The Veil  by Bei Ru
17. Tribe by Federale

FDVM, Burning Man Thanks You

It's been almost three decades since the first man burned. An unconventional music, arts, and cultural festival, Burning Man takes place in Black Rock City, a pop-up community that springs to life annually in Nevada's Black Rock Desert. The living, breathing event promotes active participation among everyone involved. A very conscious and special unity exists between performers and spectators, or rather participants, whose relationships interchange throughout the 9-day event. And, there is no main stage. The two designated stages give the audience more intimate experiences. Those featured in the lineup depend on their listeners for creative interactions, food, drinks, and whatever else those inhabiting Black Rock City wish to provide. 

Since Burning Man is essentially an every-man-for-everyone experience, any artists wishing to perform on the two stages must sign up in advance as well as purchase their own tickets to the festival. Though you might not know them yet, Florent Denecker & Victorien Mulliez, the French deep-house duo comprising FDVM, are a huge addition to this year's lineup. Hopefully, those who caught the pair yesterday can distinguish them from the sensory overload that will persist for the remaining five days. These guys have a really fresh, mellow sound, mixing and drawing inspiration from folk and dance music and producing original tracks including "Brightest Light" (out just this week) and "Think Twice". Their songs have a certain twang that make them great for a mid-day jaunt at the beach- or an extended stay in the desert.

Whilk & Misky: Rewiring your Sensual Senses

When Whilk and Misky hit the U.S, you can expect these easygoing vibes to spread infectiously. If the name doesn’t suit you, try saying it slowly a couple of times. And add a little rhythm to it. Go on, move your hips. It’ll be hard not to. Whilk. And Misky. The words slip out like a tranquil, tropical lullaby, slowly bringing you into a sweet state of relaxation.  And then, before you realize it, your body is the music. The beats designate your inhaling and your exhaling and your heart flutters to the snaps and claps that, layered one on top of another, complete a captivating spell. Like the alluring eyes of a stranger. With just one glance, the moment pulls at you, possessing you with fantastical what-ifs. Whilk and Misky will leave you wanting more. Just like that lush that breezed on by.

The Districts: A Reassuring Revival

Maybe you’ve heard of them. (Maybe you haven’t- yet.) Last week, they played their first headlining sold out show at Bowery Ballroom, just as their new album “A Flourish and a Spoil” made a premiere appearance on Spotify. You’d never guess from listening to them, but these guys started touring straight out of high school. And even then, their sound was nearly as mature and nostalgic as it is now.  Rob Grote’s reflective, electrifying vocals match up seamlessly with the intensifying roars and tranquil cadences of Larson’s guitar, Lawrence’s drums, and Jacobus’s bass. Together, The Districts bring a very much missed sound reminiscent of Bob Dylan and Led Zeppelin. Go ahead, pinch yourself. You’re not dreaming. 

Qtier & David August: Match Unmade

David August’s new remix of Qtier’s “Set Me On” is testament to the unsystematic collaborative efforts of global electronic artists. Beneath August’s undulating imprints lies the grippingly bare-boned, chilling single produced by Qtier just a few months prior. The original, with its transfixing lyrics set on top of low, breath-like pulsations, leaves your hair raised with each loop around. August morphs Qtier’s simplistic poetry into a musical painting, amplifying the emotive experience with heightened cusps and lulls of fragility. You can’t help but feel an unnerving excitement like that of tiptoeing around a beast on the brink of wakefulness. And this uneasiness matches well with Qtier’s lyrics which imply that someone or something is destined to be their only source of elevation.

Cyril Hahn: Slow is Sexy

Vancouver-based Swiss producer Cyril Hahn is pumping out some of the best remixes of the summer, re-mastering the likes of Solange, Jessie Ware, and Haim. His new single “Slow” featuring ethereal R&B artist Rochelle Jordan redefines the word for romances this August. This slow-it-down vibe is calling all workaholics and serial daters to intimate poolside dance parties to absorb the airwaves of Cyril’s medicinal beats. We’re hoping he keeps this mellow dance trend flowing well into the fall. Cyril sets the tone for “Slow” with a muted bass loop that escalates into some serious symphonic crests. And when matched up with Rochelle’s sweet vocals, how could anyone say no?